Add to ORKGGuest discusses the reflection on representation and death in Hiller's installation which documents turn-of-the-century common martyrs. Includes text of installation sound tape (also in French) as well as the artist's notes. 6 bibl. ref
The Commemoration of Women in the United States examines the public memorialization of women in the ...
Grounds for Remembering contains the transcribed proceedings of a symposium on mourning, memory and ...
Monuments and memorials have specific purposes and audiences for which and for whom they are built. ...
Guest discusses the reflection on representation and death in Hiller's installation which documents ...
Catalogue of a major retrospective of Hiller's multi-media installations (photography, automatic wri...
The premise of the ‘Positions’ series ‘to question artistic and curatorial practices from the singul...
Speakers: Julian Bonder, Deborah Martin (Geography), and Kristen Wilson (Art History) The question o...
Korper examines the significance of individual elements in Mongrain's installation. A statement by t...
Bradfer-Burdet Isabelle, Schmid Martin. Sanctuaire aux Cornes. Sondages dans le cadre d'un projet de...
Six lecturers' texts examine the artistic and social practices in the representation of death. Speci...
The Monument to the Martyrs of Oradour-sur-Glane by Fenosa, Bertrand Tillier. In 1944 while he was i...
In the present article I examine Sophie Calle’s video installation Pas pu saisir la mort (2007) from...
The idea of a peace monument emerged as a reaction by the town council to the original proposition t...
London, February 1997. Boxes of books. Whiteread filling shelves. Her VO says she no longer has a...
Writing the Monument : Site, Memory, Critique. As contemporary monument-makers begin to challenge ...
The Commemoration of Women in the United States examines the public memorialization of women in the ...
Grounds for Remembering contains the transcribed proceedings of a symposium on mourning, memory and ...
Monuments and memorials have specific purposes and audiences for which and for whom they are built. ...
Guest discusses the reflection on representation and death in Hiller's installation which documents ...
Catalogue of a major retrospective of Hiller's multi-media installations (photography, automatic wri...
The premise of the ‘Positions’ series ‘to question artistic and curatorial practices from the singul...
Speakers: Julian Bonder, Deborah Martin (Geography), and Kristen Wilson (Art History) The question o...
Korper examines the significance of individual elements in Mongrain's installation. A statement by t...
Bradfer-Burdet Isabelle, Schmid Martin. Sanctuaire aux Cornes. Sondages dans le cadre d'un projet de...
Six lecturers' texts examine the artistic and social practices in the representation of death. Speci...
The Monument to the Martyrs of Oradour-sur-Glane by Fenosa, Bertrand Tillier. In 1944 while he was i...
In the present article I examine Sophie Calle’s video installation Pas pu saisir la mort (2007) from...
The idea of a peace monument emerged as a reaction by the town council to the original proposition t...
London, February 1997. Boxes of books. Whiteread filling shelves. Her VO says she no longer has a...
Writing the Monument : Site, Memory, Critique. As contemporary monument-makers begin to challenge ...
The Commemoration of Women in the United States examines the public memorialization of women in the ...
Grounds for Remembering contains the transcribed proceedings of a symposium on mourning, memory and ...
Monuments and memorials have specific purposes and audiences for which and for whom they are built. ...